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Robert
Moss WAY OF THE DREAMER |
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One night, the
hawk lent me her wings. As the lightning bugs danced over the fields, I drifted in the
twilight zone between waking and sleep. One of the images that rose spontaneously on my
mental screen was a double spiral. I had studied one like it, carved in stone thousands of
years ago, on a guardian stone at the great megalithic tomb at Newgrange during a recent
trip to Ireland. I thought of it as the Eyes
of the Goddess, containing the whirling patterns of creation and destruction. I was drawn
to the double spiral. The shapes swirled and pulled me through. I found myself lifting
effortlessly out of my body. I flowed toward a window, and its texture stretched like
toffee to let me pass. I reveled in the sense of flight as I lifted above the tree line,
traveling north over the village in the direction of Lake George. The sense of flying was
vividly physical, and, as I enjoyed it, I realized I was neither disembodied nor confined
to my regular form. I had sprouted wings. They were those of a hawk, but scaled to my
human proportions. I enjoyed the sensation of riding a thermal, and of swooping down to
inspect the shoreline of the lakeand then the small stab of discomfort as one of my
wings scraped the needles of an old dried-up spruce. I noticed that
the scenes below me seemed to be those of another time. There was no development around
the lake, no modern roads, few signs of settlement. I flew over primal forests. I felt a
tug of intention drawing me ever north. I chose to follow it, without any sense of
compulsion. I was drawn down to a cabin in the woods, and I felt I might be somewhere near
Montreal, though in this reality the modern city
of Montreal did not exist. I was welcomed by
an ancient woman of great beauty and power. She held a wide beaded belt. One end was
draped over her shoulder. She stroked the belt as she spoke in a musical cadenced voice,
wave after wave of sound lapping like lake water. I noticed that the beads were
cylindrical and were mostly shining white, so bright they cast a glow between us. Human
and animal figures had been outlined in darker beads
a wolf, and the silhouettes of a man and a woman holding hands. I was thrilled by
this encounter, but mystified. The ancient womans language was more foreign to me
than the hawks. In subsequent dreams and visions, I was drawn deeper into the world
of the ancient woman. Though she spoke in a language I did not know, she spokelike
the hawkas if I should understand her. I wrote down bits and pieces of her
monologues, transcribing the words phonetically as best I could. Then, I sought out people
in the ordinary world who might be able to decipher them for me. Native speakers eventually identified my dream language
as an archaic form of the Mohawk Iroquois language"the way we might have spoken
three hundred years ago"laced with some Huron words. In time, I was
helped to understand that the ancient woman who
had called me was an arendiwanen, or woman of
power, an atetshents, or dream shaman, and a
clan mother of the Wolf Clan of the Mohawk nation, and that she was speaking to me from
another time as well as another dimension. I came to call her Island Woman, partly because
she was born among the Hurons, whom the Mohawks called the Island People. In contact with
her, I became vividly aware of the possibility of time travel in dreaming. We can travel
into the future to scout out challenges and opportunities that lie ahead on the road of
life. We can also reach into the futureas Island Woman seemed to be doingfor
solutions to problems that cannot be resolved with the tools available in our own time.
Most exciting, as conscious dream travelers we can enter the now time of people living in
other eras, past or future, and bring one another mutual support, guidance, and healing.
The people we can visit through timefolding in this way may include our own younger or
older selves.
Excerpted from Dreamways of the Iroquois by Robert Moss. |
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| © 2005 Robert Moss. All rights reserved | ||||