Image2.gif (1400 bytes)

Robert Moss
WAY OF THE DREAMER


mossdreams.com
FEATURES
& ESSAYS
 

  

newx.gif (361 bytes)

programs.gif (278 bytes)
ataglance_small.gif (274 bytes)
workshops3.gif (285 bytes)
schools3.gif (298 bytes)
dtt3.gif (292 bytes)

features2.gif (348 bytes)
rm3.gif (307 bytes)
comm3.gif (268 bytes)

books2.gif (315 bytes)
nonfiction.gif (226 bytes)
fiction.gif (198 bytes)
avblue.gif (242 bytes)

links2.gif (351 bytes)

contact2.gif (322 bytes)

 

 Churchill’s Swans, and his Painter’s Plan for the Afterlife

 by Robert Moss

Winston Churchill's doctor wrote about "the inner world of make-believe in which Winston found reality" [1] It may well be that the power of “make-believe” helped to win the war against Hitler.

In an interesting essay on Winston Churchill, well-known British psychologist Anthony Storr suggests that "magical thinking" - so often denounced as "infantile" - can pay off on a world-historical scale.  In Storr’s view, “it is probable that England owed her survival in 1940 to this inner world of make-believe. The kind of inspiration with which Churchill sustained the nation is not based on judgment, but on an irrational conviction independent of factual reality. Only a man convinced that he had an heroic mission, who believed that, in spite of all the evidence to the contrary, he could yet triumph, and who could identify himself with a nation's destiny could have conveyed his inspiration to others." [2]]
 
Storr adds that “We do not know, and we shall never know, the details of Churchill’s world of make-believe.” Maybe so.
  
But when I was living in England I became friends with an extraordinary man who was one of Churchill’s bodyguards during the darkest days of World War II, and he told me some very curious things. Nobody would be surprised to know that one of my friend’s assignments was to make sure the trunk of the Prime Minister's car was always stuffed with vast quantities of champagne and cognac and whisky and fine cigars.
   
More intriguing is that Churchill also required his bodyguard to ensure his absolute uninterrupted privacy when he would go out in the middle of the night to commune with the swans on the river at Chequers, the country home of the British Prime Minister. Churchill appeared to draw amazing strength and vision from his night visitations with the swans. He was surely familiar with the rich folklore of the British Isles in which swans are magical birds that provide wings for journeys across time and into other dimensions. In the old Celtic stories, as in the wildly shamanic tale of the love-god Aengus’s quest for the swan maiden above the lake known as the Dragon’s Mouth [3], humans and Otherworld beings alike often take the forms of swans. Where did Churchill’s mind go journeying when he sat with the swans by the dark river?
   
I have dreamed of Churchill – as he might have been in his heyday as a war leader, and as he might be since – and I have little doubt that he has been able to apply his power of make-believe to his transitions on the Other Side.

After leaving office, he discovered the joy and the therapeutic gifts of painting. He reveled in bright colors and declared this forthright intention for an artistic career in the afterlife:

“When I get to heaven I mean to spend a considerable portion of my first million years in painting, and so get to the bottom of the subject. But then I shall require a still gayer palette than I get here below. I expect orange and vermilion will be the darkest, dullest colors upon it, and beyond them there will be a whole range of wonderful new colors which will delight the celestial eye.” [4]

It is evident that this great and passionate "make-believer" did not need to watch "What Dreams May Come" to know that if we are only willing to grow our visions with the full force of our passion, we can "make up" a world, here or somewhere else.

Notes

  1. Lord Moran, Churchill: The Struggle for Survival 1940-1965. London: Constable, 1966, 778.
  2. Anthony Storr, Churchill's Black Dog, Kafka’s Mice and Other Phenomena of the Human Mind. New York: Ballantine Books, 1988, 27.
  3. Robert Moss, The Dreamer’s Book of the Dead. Rochester, Vermont: Destiny Books, 2005, 18-21.
  4. Winston S. Churchill, Painting as a Pastime. Harmondsworth, England, 1964, 29.

 

 

  

 

PAINTING AS A PASTIME


Published in London in 1948, this is Churchill's marvelous essay celebrating his favorite hobby, with 18 of his paintings reproduced in color. A delightful little book, endlessly re-issued in a variety of English and American editions.