Dream Mirrors of the Self
By Robert Moss
One of the most important gifts of our dreams is that they put us in touch with more aspects of ourselves than we have recognized in what Yeats called our “daily trivial minds.” Among these aspects is the famous Shadow, composed of parts of our selves we have repressed or denied (and tend to project on to others in regular life, till we awaken). But we encounter much more than the Shadow. We encounter a whole family of aspects of ourselves, and as we recognize them and bring them together we become much more than we were.
We are given the opportunity to claim the imagination and energy of our inner children, the nature-knowing of the ancient shaman within us, the wisdom of the elder, the artist, poet, creator, entrepreneur, hero, dancer, athlete, astronaut inside.
We also meet our conscience. We are introduced to parts of ourselves that have been broken and are in need of repair. We are given clues to parts of our selves that fled from this body and this life because the pain or shame was too great - or because our dominant personality wimped out on a big dream, settled for a little story and ceased to be any fun for a bright spirit to be around. When we discover such things, we are on the road to healing through soul recovery
There is more. As we follow these roads, we may rise to a closer acquaintance with the Self beyond all the smaller selves. Call it the Higher Self. Perhaps we are the mirrors in which some part of it is reflected, when our lenses are clear enough.
I remember a dream that mirrored the relationship between the little self and the Big Self. Here is a brief version:
THE UNFINISHED PORTRAIT OF THE HIGHER SELF
I read in the local paper that an artist is working on a portrait of the Higher Self. Greatly excited, I lead a group to see it. The path spirals up to a studio like an open tower, guarded by magnificent sculpted beasts; great carnelians flash on the back of the stone lion.
The artist is at work on a tremendous canvas. It rises as high as the tower, perhaps even above the table. At the bottom, he has painted a self-portrait. The figure stands within glowing bands of color. He is as small as a votive candle in proportion to the immensity of the Higher Self that rises above him, visible only as bands of energy that become subtler and subtler as I look up, until there seems to be nothing except a pristine and unblemished expanse of pearly light.
It seems unlikely that this immense work can ever be finished. But I know, as I merge with the artist and take up the brush, that this is my life's work.